I had a dream,
A year later, after the May 27th release of one of the most anticipated albums to come out of Oklahoma. At arguably the time when the most eyes were on a city that was still devastated and plagued by the social unbalances.
It’s Thursday, just a little past 12 PM when the intro to the world premiere started playing for the Fire In Little Africa video “Reparations”. The live chat started to get longer and longer as the comments started to come in. The excitement was at an all-time high, mainly because of the controversy surrounding the first video being shelved. St. Domonick hosted a private screening of the initial video on a building wall downtown just off 3rd st. This caused many to use their social media platform to express their anger and outrage, at times even comparing their struggle to the same narrative of being silenced by “The Man.” But now here we are, the second attempt at an official release for “Reparations”.
The countdown finally finished and the video started to play, opening with a drone shot of the city and a voice talking over a dispatcher radio. Next, the video cuts to 3-masked men in a Chevy mid-sized car parked in front of a building. As one of the masked men closes the truck, the Vuelo shark logo can be seen (Good product placement). The video then cuts to the 3-masked men fleeing the scene as alarms blare in the distance. The car speeds off with the masked men celebrating their getaway. Finally, the car stops as the masked man in the backseat announces:
In Hip-Hop the main topic that comes up is haters. Rappers glorify the hate. Because if you don't have haters, then you aren't successful. Look at artists like 50 Cent and Tekashi 6ix9ine who built whole careers off hate and trolling. You gotta admit that hate sells. Ask 50 Cent who again profited off hate by selling "G-U-Not" shirts because he saw an opportunity to capitalize off hate. But when did I become a hater? I would say the exact moment is when I saw a post on the ï»¿@Fireinlittleafricaï»¿ page.