We are in good company. LVLC's sets out to prove this on his new album "Lovelace & Company" that comes jampacked with 13 tracks that read more like a compilation project than a solo album. The album features 11 credited artists, that's almost a 1-to-1 with the tracklist, but these are friends. As far as LVLC, with this album, he's out to tell the world that he's one of the best and I have dope friends too. So, without further ado, let's get into the album they call "Lovelace & Company". Track 1 "Y.O.T.D". I learned that this actually stands for “Year of the Dragon” it’s a soulful feel-good track "so I told God, thanks a lot, but I don't need love when it's my name". It’s lines like these that grab your ear and make you pay close attention. I like how he even adds a foreshadow to his track "Love Me" with his bar "boy get out your feelings, ain't no money in that place". LVLC shows his versatility on the track by the way he switches his flows to a Kendrick Lamar-like voice when spitting the bar "This is that double-sided Genimi" which for Kendrick fans know that Kendrick is one of the most diabolical Genimi's in the game. The second track on the album is called “Primordial” and admittedly I had to look up the meaning of the word. It's always good to learn right? Well, I would describe this album as a learning album. LVLC does what he does on the track which is deliver some amazing bars while we also see the first appearance of his super friends on the album, this time its FaDello who delivers a solid performance, his vocal tones keep you engaged, and his bars are agreeable to the listener like Fadello's verse is more conversational than outright lyrical assault which fits with the mood of the song. But then I would counter this point with The Thought's verse which immediately seemed like a lyrical tirade. His voice broke through the beat like a superhero's entrance, his bars landing powerfully as he kept your ears on its toes you were careful not to miss a metaphor. It was an amazing verse. Track 4 "Homies" is a reminiscent track that features again, FaDello but also GWayne and Kendra Mars. The track has a catchy fun hook which LVLC lends his voice to. Surprisingly he doesn’t rap on this track, but I guess that is what friends are for, one of the homies, Kendra Mars comes in very smooth, then gradually switches flows to so cleverly, it’s like when you hear about that athlete that can turn their talent off and on, they’re at times the most talented athlete but then it’s times when they let others shine. This is also FaDello’s second feature and it's a standout verse on the song he knows his pocket and how to entertain which comes through on this track. Homies is a standout track. Track 5 Pints & Fifths I would've liked to see this chorus evolve better, I feel like it's too repetitive, not as bad the viral "period ah period uh" but just repetitive. But G Wayne really stands out on this song, he comes in with a heavy inspired West Coast tone and backs it up with lyrics suggesting his willingness to stand on his lyrics. I do think LVLC delivers a dope verse as expected but again I think the simplicity of the chorus is unexpected from such a complex artist. Then you get to one of my favorite tracks from LVLC period. Track 6 "Love Me". The song is filled with such a quotable bar that starts off the song and is repeated throughout "boy get out yo feelins ain't no money in there" I remember going to Groundwaves and hearing the chorus and seeing everyone sing along. It's a very intrinsic song that proves that even LVLC's simplest bars are so tightly worded and expressed that you still go "ouuu" as if it were the quintuple entendre that Drake was wanting from Kendrick. The second thing I noticed about this track was the feature Da'juan Dupri, who has been killing verses and killing performances. But as much as I was filled with excitement I was met with a deflating verse. I felt Da'juan Dupri was uncharacteristically subpar in both his delivery and unserious on the track that left me confused. The song seemed to be a chance for a lyrical heavyweight battle but instead it was more of Jekyll and Hyde. But Dupri has time still to redeem himself on the next track. Florence Pugh. You can’t do no half-steppin on this beat. LVLC is really on his rappin shit. He goes straight in leaving no room for guessing who's album this is. He's just ice cold. Then FaDello immediately comes, this being his third featured verse on the album he doesn't disappoint as he spits this crazy entendre that lasts 4 bars using concepts centered on the nose. His delivery is on point, and he keeps the song elevated from the previous verse. Then the final verse. America loves comeback stories. I think this verse from Da'juan Dupri is his redemption verse. But this verse proves to be Dupri doing what Dupri does, "no boxin, get a jab, I'm Johnson & Johnson" that's the Dupri with the bars and the delivery and that I'm accustomed to. The metaphors are there, Dupri welcome to the show. Opportunites is a nice change of place track at the midpoint of the album. LVLC pulls another flow out of his bag that's more melodic than the punchline hard core hip-hop vibe of the earlier tracks on the album. Creo Cash was the perfect person for this feature, his rap\singing verse is complementary to the track "if my soul is attached to it then it ain't opportunity" and finishes the track by repping his group BDM. Fuck it Up is that posse track that feels like it could’ve been on Ruff Ryders Vol: 2. It’s this hardcore bass hitting, air guitar having, punch to your ear drums. It’s like a rock and rap mashup. Kendra Mars goes off on this track and reminds me of Eve holding her own amongst men. “I ain’t this light, I’m thinking Zeus, I’ll get a nigga struck”. FaDello has seriously been holding it down the whole tape and spitting some tuff bars. Lastly, Liberal Media throws around bars like a conspiracy theorists crime web, I’m still tryna dissect the verse, ornaments and organs, then the trail keeps going. This that one. Brothers starts with a sample from Donald Jenkins & The Delighters "Music Revolution" AceDaKid War Mothershed stood out in his delivery, he matched the energy of the beat, his verocity he approached the beat was like he was in a rap battle. LVLC keeps spittin. Check his wordplay. My God! At times he slows up his verse to make you understand and leave no guessing. He is the Dragon!!! What You Know is something for the radio or even a placement for the end credits to a movie or your favorite video game. LVLC singing. Who would’ve thought the lyrical artist could also serenade us, he really shines on the hook and blends well into his verse which is more singing rap. Even at the end of the track I was surprised, LVLC really showed off his vocal talent and sounded like an R&B singer in the rain that left me singing along, “Yeahhhhh Yeaaaahhh Yeaaahhhhh”! Every album needs that little bounce and that’s exactly what Skate Song is, it reminds me of that smooth soul dance track with rap. I can literally imagine being at Skate Land and vibing to this. It's a fun upbeat house style type beat and Emani blends her voice with the soulfulness of the production. LVLC even on a fun song like this LVLC's verse is lyrical he is still intentional with his delivery making sure to switch up flows. He paints this vivid picture with his use of wordplay and vocal inflections. I can only raise a glass of tea to this sweet verse. Congratulations sir, you sir have a hit. The last song on the album Lovin is the end credits to this album of a movie that has shown us inside the brain of LVLC, it’s also given us a glimpse of his friendships and the lengths that they will go to show that they have his back. Promise Cezar is one of these friends who chops up the beat with each word and like a calming voice on a track that is meant to ease the mind. The track closes with this sing-along “We Are The World” feeling where multiple voices sing along. You just might sing along too. So, there you have it. This album "Lovelace & Company", it's proof for the artist that doesn't need proof. He's extremely talented that has created an album that he chose to share and incorporate his friends. Maybe this isn't his solo masterpiece, but it is still a masterpiece that proves that there is no 'i' in team. LVLC doesn't need a team but I'm sure it was more fun having one to navigate each track. And even though its friends, it's still a competition and LVLC is known for throwing haymakers/bars when it comes to verses, and everyone raises their lyrical prowess when working with him. So, listen to the album and let us know what you think of "Lovelace & Company".
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by dj noname.  If know you know. And many people know about the producer/ artist/ manager/ photographer/ project manager/ yelper/ last but not least dj, they call dj noname. He's released so much classic music. But did you also know he writes? Here's something special from the one they call dj noname. talking about his newest single "A Love So Complicated". The main point of my production stems from how I grew up, especially late-night freestyle takeovers. It was all about the raps, I didn't care about subject matter to an extent, what did the production make you come up with initially? That's what I wanted to be laid on my production. As my first year chopping samples ended up turning into (almost) 5 years, the more songs + projects I released, the more artists (even ones who didn't take music seriously) would approach me with getting on a track. I wouldn't even second guess the individuals, it was more of an experiment that I'd like to test out. "A Love So Complicated" is one of those things stemming from that notion. A person who is in this art world, who isn't even a musician, always threw the bug in my ear about sending some stuff over & he was super serious because we've had a few conversations about it. This conversation continued for about a year; the beat is maybe that old as well. Along with that, I might've sent another beat or two. I have a good problem with always doing albums instead of singles + loosies (whether 3 or 10 songs... I treat everything like an album) & I felt like this song was so good that I couldn't even include it in a project I had in mind for it, The Album Before The Album. The sample stems from something I've heard before at a different tempo. This was during peak blog era & very close to a decade before I dove into DJing + producing. All of these songs I grew up on + heard sampled are now coming to life to where I'm utilizing them. Without that, there wouldn't be this. I had to ask dj noname. why is there no artists credited on the single. "Simply because he's not a musician. We wanted to have fun with it [the record]. We made it about the music." Shoutout to dj noname for the dope insight about his new single "A Love So Complicated". Can you guess what sample he was inspired by? Make sure you go purchase this new single "A Love So Complicated". here: djno.name/a-love-so-complicated  To people from Tulsa, LA might as well be Paris, because it seems like such a far-fetched dream to even reach there. But Steph Simon not only is reaching L.A., but he has the opportunity to be apart of a forty-day residency. Another artist who is also doing the L.A. residency is Sneak The Poet. Both Tulsa artists will be taking their talents to do something that seems so unimaginable, make art while living on a stipend in L.A. The stipend is cool. It gets them there and helps them live, but to maximize their experience they needed more funds, and that meant a fundraiser, which I went to on Sunday at the Skyline Mansion. Here’s what happened. The night was set with a really intimate setup with chairs lined along the main stage that reminded you of a tiny desk-like set up. dj noname. was the one dj spinning for the night and if you been to one of his events, then you know he knows how to rock a crowd. The stage also had the iconic backdrop banner of the Skyline Mansion. The stage had a keyboard, drum set, and multiple speakers set up. We're just setting the stage here. Before the show started, Steph and Sneak sat together on the stage to explain why they are going to L.A. and why this benefit concert was created: For Sneak The Poet, this L.A. residency will be used to make a film. It may be a low budget. It may be in non-traditional locations. But what it will be, is a Sneak Joint. A Sneak Joint has the vision to make something amazing with very little. But he’s not going out there blind, he has a network of friends already in L.A. which include actors, location scouts, and scriptwriters to help make the journey a little easier. He announced that having a routine down there is what he’s most excited about. Working out, writing, and filming being some of the activities mentioned. Sneak The Poet is an amazing artist who doesn’t perform as much, but trust me, his skills are as sharp as ever. He was a one-man show as he rapped some of his favorite tracks from the Akira album that was produced by dj noname. himself. Sneak was very laid back but confident on the stage. His style was smooth but sharp like the anime swords you see on T.V. He also mentioned that he was the only artist with a Loheim feature, and when Loheim performed he didn't do it on the stage but rather mysteriously from the side room to not be seen, only heard from the speakers was a jazzy voice singing the chorus. Take a look at Sneak's performance: For Steph Simon the L.A. residency will be an opportunity to create a new album called “Tulsa King Goes West”. What will make this album so special is that the production of this album will be using all L.A. resources. That means producers, engineers, recording studios, and shows. Luckily, he’s not starting from zero, he has the mentor of legendary rapper Murs to help him. He also already has nine beats for the album, and he’s even intending on making a beat himself. Now for his performance, it was Steph Simon backed by his wonderful band. It’s a reason he holds such high regard for them. It’s because they play off each other and complement each other so well. Steph played the composer as the band followed his lead adjusting real-time to certain requests while still playing. One of the highlights of the night was when he rapped his verse to “Shining”, which he actually rapped from Tate Brady’s kitchen, it was crazy to get the significance of it in that moment. Tate Brady's mansion was where the massacre was blueprinted, was now transformed and reclaimed by the people it was trying to destroy, also one of the best hip-hop albums in Oklahoma was created here. Hopefully Tate Brady is rolling over in his grave. Steph Simon expressed that his favorite song on “Tulsa King” is “Growing Pains” because it’s a reflection of success, and working, and of course the growing pains that come with it. He left us with this beautiful story about him and his daughter watching a caterpillar go into a cocoon, and how he never knew if the caterpillar made it or not, but he did see butterflies in his backward and wonder. Also, that nobody knows if butterflies actually fly in patterns because they know how to fly or is it just their growing pains. Watch some of his performances below: Again, the residency does provide a stipend, but this fundraiser was to help him create and do more. For Steph Simon this opportunity is a chance to become uncomfortable in a place that nobody knows his work and no one is biased. He wants to test his performance and his pen. For Sneak The Poet this is an opportunity to work with people and create in a place where the movers and shakers are, to see how a L.A. director lives. Both of them have 40 days and 40 nights to create, and from the Bible we know what can happen after that period. So go support them by giving to their fund. They also have merch for sale: hit up Steph Simon on IG: @stephxsimon To just send a donation to Steph Simon or Sneak The Poet hit them up on IG: Steph Simon IG: @stephxsimon Sneak The Poet: @sneakthepoet  Thrilling True Crime film, "Boneyard", co-written by Tulsa-based writer, drops its first action-packed trailer! Tulsa-based screenwriter, Hank Byrd is one of the talented screenwriters behind the thrilling screenplay based on a true story. Here's the story: When the skeletal remains of eleven women and girls are discovered in the New Mexico desert, an extensive investigation is launched. Inspired by true crime stories, this chilling crime-thriller follows Police Chief Carter (Curtis "50 Cent" Jackson), Detective Ortega (Brian Van Holt), and Agent Petrovick (Mel Gibson) in a multi-agency effort to identify and apprehend the killer. The synopsis for the film reads: "As each of their agendas and methods clash, a tangled web of intrigue casts suspicion in all directions." Starring: Along with Gibson, Jackson, and Holt, Boneyard stars Nora Zehetner (The Right Stuff, Maron) and Michael Sirow (The Wrath of Becky, Jack Goes Home). The film is directed by Asif Akbar, who previously made 2022's The Commando, 2023's Mojave Diamonds, 2023's MR-9: Do or Die, 2023's Clown Motel, and 2024's Skeletons in the Closet. This film is Distributed by Lionsgate, Boneyard is expected to hit select theaters and streaming on July 5th. Follow Hank Byrd on social media: Facebook: @screenwriterhank Instagram: @screenwriterhank Checkout the Trailer below:  One Aux turned 1 years old. That’s not an easy feat. The grind of having to facilitate an event is always a logistics miracle. But with community comes help, and that’s just what the folks at One Aux have done. They have created a community that is willing to help whether that’s with audio or that’s troubleshooting, or even grabbing chairs. One Aux is seeing the fruits of its labor in the form of a community that is building the change in music that they want to see. We had a chance to experience this change firsthand at their First Anniversary show at The Heirloom Rustic Ales bar in Tulsa. Details below. “Depression is your conscious saying fuck you. I don’t want to be this character anymore. I don’t want to hold up this avatar.” - Jim Carrey Admittedly there were a lot of great performances that occurred that night that included Kristen Ousen. Henry Roanhorse, Nathan Scot, Earl Hazard. SynthDom, and DJ $ir Mike. I was able to catch the last three performances of the night which I wasn’t disappointed. As I walked into Heirloom, SynthDom was just setting up. I remember his performance at the last One Aux event I attended (NOISE: THE REAL UNDERGROUND MUSIC OF TULSA), and my amazement at his setup. This time was no different, I was still amazed, but his rig was very different. This time it was this mahogany wood chassis that wrapped around the mechanical sync machines that gave them this acoustic guitar feeling. SythDom was in rare form as he warped different sounds like he was at the helms of the space station controls. There were times where this hard-hitting metronome took over time. I could see his emotions in every strike against the drum pad. The backing vocal was so expressive in its ability to go against the norms of what people would expect you to say that when it faded out it felt like this proclamation. SynthDom is phenomenal. If you know about One Aux then you know it invites all genres of artists even genreless artists. Earl Hazard is one of those artists that you can’t fit in a box because he can live in them all. This night was an example of that. Earl Hazard got on stage and immediately went into one of the hardest raps. When it comes to rap. He’s no doubt, one of the best. His words are sharp and calculated. What some don’t realize about Earl Hazard is that he also knows his jazz. His own pieces often resemble jazz musicians as he is able to scat on stage, also his beat selection is heavily jazz influenced. The rhythms and pockets that Earl Hazard raps in remind you of a Miles Davis, a great legend that is able to tell his story with his voice as his instrument. Earl Hazard’s performances are always very personal, which I and many others appreciate because even if it’s a free show, our time is the real currency. I think he takes this in consideration and wants to only put out amazing work. Which I’ve never seen a bad performance from him. Just watch the video and see what I mean. The last performer of the night was DJ $ir Mike. One of the best DJs in town. I’m not just saying that, check his calendar, he’s booked all the time. His musical palette is world-rounded as he’s able to play corporate events, to club venues, to bar mitzvahs, and to his origins of hip-hop. When people see DJ $ir Mike’s name on the flier they know that the event is going to have great music. So, when I saw his name on the One Aux flier, I was excited to see just what he was bringing to the table this time. What we got was a feast of mashups and unheard mixes created by him. He played this Atomic Dog and Beyonce’ mashup that was so cold that I was going crazy like “Yo!!!!!!” This is fireeeee!!!!. But what else would you expect from one of the best DJs in the state. His transitions are always so smooth that you literally are vibing to a track then by the time your ear catches the next one it’s already 20 seconds in. He’s good. Trust me. Next time you see DJ $ir Mike on a flier. Pull up. You’re singing or rapping or dancing the whole night. Happy One Year Anniversary to One Aux. It’s a community that was created to help the people and artists that had something different to say but no platform to say it. For those who never felt like they fit in the regular checkboxes. For the music that wasn’t this genre and never wanted to be that genre. This is the place for that. Whatever that is. It doesn’t have to be defined but it will be respected. There is so much more anniversaries to come for One Aux and the community that has been created. So come out to a show and support this amazing community of fans, artists, and musicians. You won’t be disappointed.
 What does it mean to be from the East Side? To be overlooked. To be undervalued. To be counted out before the game even starts. Growing up on the East Side puts a chip on your shoulder. Your thrown into this environment with so many different cultures that you even you have trouble knowing where one culture’s neighborhood starts and another ends. But that’s the East Side. That’s also the advantage of the Eastside. This past weekend 3 artists Doc Freeman, YungxHalloween, and Yung Qwan showed just what it meant to be from the East. Paying homage to the Beastie Boyz, the 3 artists did their own flip on the name and came up with what would become the Eastie Boyz. The SoundPony stage was set as hip-hop was in the building. The first up was the artist known as YungxHalloween who got on the mic and showed a side of the East. YungxHalloween has a sound that explodes with energy and emotion. Also, in his music he represents for his community and his Hispanic culture as he drops gems and terms that if you know, you know. At times he seemed to blend into both Rap and Rock n’ Roll, which is true to the Beastie Boyz legacy. Go check out his Instagram: @yungxhalloween Next up was Yung Qwan. I feel like Yung Qwan had this period of time where he was completely ghost from the scene. Coming off the highs of an amazing EP and the Fire In Little Africa project, it was bizarre to not see him out and rocking shows. This night he reappeared, but without his signature dreads. He stood center stage with a microphone in the stand. I can say that when it comes to the bars it was clear that he's still got them, but it was at the end of the song where you could see his change, as the beat continued to play Yung Qwan repeated the chorus with a pain that deepened with each repeat. “I cut the locs off, looked in the mirror, and found me”, I think Yung Qwan is in a new version of himself and it's exciting to see. His artistry is expanding before our eyes and his new project is gonna be crazy. Look out for that fa sho and go follow him on Instagram: @iamyungqwan The last performer of the night doesn’t need an introduction. You can call him Doc Free, you can call him Doctor Freeman, but just don’t call him not from the East Side. Doc Free has been reppin’ and waving the flag since his insurgence into the Tulsa Hip-Hop scene. His impressive resume’ has made him one of the most well-respected MCs (also a member of the Oilhouse collective) and also one of the most sought after djs that can rocks crowds no matter the genre. No doubt his dj skills have also helped him uncover some sampling gold. His words cut with this laser cut precision that only a doctor could. (go listen to Dr. No, he is so on target with this album, like if James Bond was spitting real life Spy shit.) This night the doctor didn’t need an assistant as he was his own dj while also spitting bars from behind the table. And when the music was over, he was gone. Lost in the nights bars he escaped to hit the j., after the completed mission. Go follow him on Instagram: @docfree918 The Eastie Boyz. It’s a showcase of the East Side’s best. Who knows if the next time it will be the same crew. Who knows if next time it will be on the Eastside. The only thing that matters is that the Eastside has some amazing talent. This night proved that it’s just started.  When you think of what’s underground and what’s considered indie, your first thought to come to mind is that hip-hop has so many underground artists, especially in a city like Tulsa. But that wouldn’t be true. If you look at hip-hop even here in Tulsa, it’s beginning to get the recognition it deserves. That starts with having acts at big venues like Cain’s or even the Vanguard. To be truly underground means that your genre isn't in these big venues and therefore you have to create spaces that go against the norm of poplar mainstream music. That sounds like Noise. Noise is a genre that goes against everything conventional and is definitely not mainstream. That sounds like what we witnessed on Wednesday night at the One Aux event at Noise Town. I know what you're thinking. What’s Noise? My answer would be, what isn’t Noise. Because Noise isn’t something that can be defined. It is more or less experienced. The first performer of the night NURTURANCE is a living embodiment of that. During NURTURANCE's set he surrounded by all these high-end pieces of equipment with so many different cords and outputs. It was as if he had a mini studio with him. He played each piece of equipment like a conductor making the machines play with a frequency that moved sound, while a projector displayed images of him and also silhouettes of people that you couldn’t quite make out. His performance was intense concentration but with a freedom, and at times he would lean over to a controller with vertical wires and literally bend the sound. Now that’s Noise. The next performer was GOLDIELXCS. GOLDIELXCS has performed in both R&B and hip-hop heavy events, but this time seemed different. This time felt like the unstructuredness of the genre gave her the freedom she was looking for. Her performance proved just how wide the spectrum of genre of Noise is because it was completely different than the first. Her music was so soulfully unstructured. GOLDIELXCS used a beat making-like setup to play looped sounds. It was as if her voice carried in this spatial spacing that transcended her into different places in the room. At times she would pick up the mic and go into this short vocal backing of the track almost she was there to back up this moment in time as an alternate timeline in the multiverse. She’s played with a comfortably that let you know. I’m the shit. This is my Noise! The next performer of the night was SYNTHDOM. His setup was so grand that everyone marveled at it. One of the audience members began to calculate all the pieces of equipment and how expensive it is. This is the mothership. This is the setup that artists with lower end equipment's try to mimic. And it showed how just wonderful it was when the first synth progression played. His set started with a backing drum kick that he then layered different drums, cymbal clashes, and synths on top of. He was the master of his setup and at times looked like a mad scientist jumping from sound to sound. To a rapper at times, it sounded it feel like being in the studio with a producer who is making the beat from scratch. And true to the genre of Noise. It’s not how it starts. It’s how you feel in each moment of the performance, and with SYNTHDOM, no two moments were the same. The last performer we caught that night was ACESHOOTMEDOWN. That’s a long ass name. Unexpected. Sort of like the performance though. She got on stage with only her phone that was bluetoothed to the stage's sound system. ACESHOOTMEDOWN started rapping! What!!! But that’s Noise. It’s unexpected. She had bars as she took the stage with a bravado and stage presence that let everyone know that she was the shit. Her music was probably the most structured of the night as we grounded ourselves, knowing that we personally were in our element. We know hip–hop. ACESHOOTMEDOWN seems like a student of hip-hop as told through her stories and song structure. I’m looking forward to seeing her again and where she takes her music. So, there you have it. Noise. Unorganized Noise. To an outsider it may seem like an AV club convention with the AV carts and monitors and all the cords. Just the sheer electricity alone separates this genre into something that’s different. But what we learned is that Noise is a community that knows each other and is supportive rather than competitive. It’s a genre that feels more improv than the programmatically structured predictable styles of mainstream music. It seems to focus more on bending sound than adhering to it. Lastly, Noise is more than the sound that it makes, it’s more about the experience that it creates that audiences love. So next time you want to hear some underground music. Go listen to some Noise, the genre that’s underground! 
The first day of 2024! We watched the ball drop, we sipped champagne. We did all the etceteras. But what we didn't know is that there would be a tape. A tape from the legend that they call Pade and his producer dj noname.. I don't gotta say too much because the tape speaks for itself.
So let's just listen to the tape! You can Purchase the tape from BandCamp here: Stoic: Day One  When you’ve been in the Oklahoma music scene for a while you start to notice the trend. In the beginning it’s these old artists, that people know and respect and have pushed the culture forward. Then there’s the middle-aged artist that have been doing music for a long time, but you start to see outside influences take their time away from the music such as relationships and kids. Finally, you have the young artists. These are the artists that haven’t been jaded by life. These artists don’t have much money but what they do have on their side is time, and a fearlessness to get their music in front of anybody and everybody who will listen. As J. Cole put it, “I was like a young Simba, couldn't wait to be the king.”. Last night embodied the young artists that are waiting on their turn to take the throne. The Don of New Era, a fitting title for the nights festivities was filled with the upcoming artists in Tulsa. The new era of kings, which included performances from Crigga, Wxlon, Savvy Kray, JediahKO, Uncle Jay, Shay Breezy, ABK, and JuiceBox. You might be wondering how these artists all came together. It was a collaborative effort from all the artist plus The Underground Collective, Sharpside Trent, and also DJ Alive on Arrival. Admittedly I didn’t catch all the performances, but the performances I did left a lasting impression. My biggest surprise of the night was Uncle Jay. I didn’t expect for his music to be that good. And it was so versatile. He was able to turn up with the crowd and also have some vibey chill music. The crowd was moving to his music which showed that he’s on to something. Make sure you follow Uncle Jay (@unclejaymakesmusic). The next artist that really caught my attention was Wxylon. Of course, because of his looks he’s going to get a Kid Cudi comparison. I would also say he also draws comparisons because of the way his music seems to draw in people. By the time he got to his second track the crowd had already surrounded him and were holding on to every word. But he’s not only a rapper, he’s also a producer who produced some of the tracks that were performed by artists sharing the same stage. Maybe that makes him more Kanye, but mostly that makes him an artist. You are definitely going to hear more from him in 2024. Make you follow wxlon (@wxylon) Last but not certainly least is an artist that has been going for the thrown ever since I first seen him at The Soulbody Cyphers American Idol style contest. JediahKO. It seems like from time I first saw him he’s done nothing but go up. When we talk about artists that can bring a crowd, it’s definitely JediahKO. He’s been one of the most consistent and most booked artists this year. The music just speaks for itself. He has that part down. The versatility to go from hard hitting bars to love songs embody what it means to be an artist. He has a comfortability on stage that shows and he can move the crowd. He is also on our mixtape “The Purple Tape Volume 1.5: The Purple Flee” where he delivered a dope performance on his song “Samson”. The price for JediahKO is going up in 2024. Make sure you follow JediahKO (@jediahko) Advice: It’s important to know that when you’re young, you can still learn from people who’ve been there and done that. In my case I’ve been to 100s of shows. So here are some things I would tell all the artists. The first major rule is: DON’T RAP OVER YOUR LYRICS. This is what separates a rapper from an emcee. Trust me, you will be able to do so much more with your performance by not rapping over your vocals. The second tip is: Learn breathe control. With being an artist there is so many bad influences but one thing you have to do is to be able to rap rap for over 10 minutes, and the only way you can do that is learning breathe control which takes most likely, training. But it goes a long way to not be wheezing trying to catch your breath and still be mid-bar. My last tip is: Network and work the crowd. You never know who is at these shows, so don’t just leave after your performance. Stay and network because it might be the person who books shows looking for new talent sitting right in the audience. Or it might be an artist looking for more artists that want to perform. Your network equals your net worth. LITERALLY!!!looking A bonus tip would be: Put your music on BandCamp other some other site where people can buy your music rather than solely streaming it. Trust me, the bags bigger. And get some merch. That's a whole bigger bag. All in all the night had some amazing talent. Too much to highlight. I can’t wait to see these kings grow and take the throne. But the unique thing was that this group of young kings who all had their own palaces, for one night joined under the same banner. Will it ever be done again? I sure hope so. Because these events are important. And the thing we can do as music lovers is support these young kings by going to their shows, liking and sharing their content, and of course, actually buying their music. Not just streaming it. But actually, buying their music. This is how they invest in their craft and get better, And when they finally do claim the throne still, we need to support them, because kings still need support at the top. Ask Simba! 
Picture this. You're in your 4th rap battle ever, and your opponent says some shit so crazy that you know that it's gonna go viral. That's exactly what Jaylocke found himself in during the 3rd round against veteran battle rapper Aaron Sawyer. So, how do you beat somebody that’s went viral? That’s easy. Just be so much better than them, that even after the videos and meme’s have go away, people remember you. Also, you have to make them remember what really matters. Winning. Floating around the internet is the clip from of Aaron Sawyers with an animated verse about his opponent Jaylocke. I gotta admit the wordplay was nice. But did it win him the battle? That’s what matters. That’s what battle rappers are remembered by. Not a hot line. But the number on the left being greater than the number after the line. So let's breakdown the battle:
ROUND 1: Fight
Again, Aaron Sawyer is a veteran battle rapper, so it was only appropriate that he goes first. And in the first round Aaron Sawyer was set out to teach the newcomer the Five Pillars Of Battle Rap. Pilar 1. Disrespect your opponent’s manhood. Pilar 2. Challenge his character. Pilar 3. Schemes, angles, punches, and jokes. Here are a few of those bars:
Next it was Jaylocke’s turn: And straight out the gate Jaylocke had some tricks up his sleeves. First, he talked about hygiene, or possibly the lack thereof under Aaron Sawyer’s sleeves. Jaylocke handed Aaron Sawyer a stick of deodorant. This did get the crowd going. Who doesn't like a well-timed prop? But back to business, it was now Jaylocke who was on the clock. Here's some of the bars that caught my ear:
Round 2. To start off the round, Aaron Sawyer showed that he is a quick witted by using Jaylocke’s previous Madea bar against him. He even showed him how you should use a GWayne bar in a battle rap, while he focused on his Pilar 3. Look at these:
ROUND 3: Finish Him Round 3. You can't hold back. If you're a veteran in the rap battle game, then you know it's time to leave no doubt. It's time to Finish Him! Aaaron Sawyer started out with Pilar 4 which was angles.
The Scorecard: Finish Him Drumroll. There were three judges with a split decision of 2-1.
It was a hell of a fight. Both competitors brung their 'A' game. It was a lyrical battle filled with highs and lows. And truth be told, the viral scene helped both battle rappers. My advice to Jaylocke is to project more in his performance and to remember that rap battling is a performance. You need to use different vocal inflections, especially when you come to the punchline. It helps the crowd hone in on the punchline. And my last piece of advice would be for Jaylocke to stand firm and mean mug the fuck out of your opponent. Make him feel uncomfortable with your stare so much that he stumbles. Also, it's important to note, that Jaylocke has so much potential and so much room for growth. So, look out for Aaron Sawyers and Jaylocke's next battles, And one thing is for certain. BATTLE RAPPIN' AIN'T DEAD. THEY JUST SCARED! ​Also watch the whole battle below and let us know who ya'll think won: Follow both battle rappers: Aaron Sawyer Instagram: @aaronsawyerofficial Jaylocke Instagram: @jaylxcke |
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